The new camera will follow the same form factor as the recently released Canon Cinema EOS C500 Mark II and will have a user interchangeable EF and PL mount.. Craft your perfect cinematic camera with the EOS C500 Mark II. We have confirmed that Canon will be announcing a new Cinema EOS camera ahead of NAB in April. 12G-SDI Support Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. The camera is powered by a new DIGIC DV 7 image processor for improved recording efficiency, allowing for 5.9K capture and 4K oversampled at up to 60fps. freedom to evolve the camera to support a wide variety of production challenges. Related: canon c500 canon c300 mark ii canon c100 canon c200 canon c100 mark ii canon c300 ef canon c300 ii canon c700 sony fs700 sony fs5 sony fs7 canon c300 ef mount. The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. This is exactly what Sony did with the F5 and F55. Sydney Australia, 5 September 2019 – Canon Australia announces today the launch of a new addition to the renowned Cinema EOS System of professional digital cinematography products with the introduction of the EOS C500 Mark II, which features a 5.9K full-frame sensor and a newly developed image-processing platform. The EOS C500 Mark II has been produced in a revolutionary compact and modular design which allows users to freely customise the camera to meet their shooting needs, including the ability to interchange the camera's mounts and add on a number of optional extension units. The C500 Mark II is the first digital cinema from Canon that’s truly modular. Canon Australia has announced today the launch of a new addition to the Cinema EOS System of professional digital cinematography products with the introduction of the EOS C500 Mark II, which features a 5.9K full-frame sensor and a newly developed image-processing platform. Efficient RAW … The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. In addition, the modular design offers outstanding flexibility for various applications, such as single-operator style, multi-camera production, gimbal shooting to full-scale cinema camera operation. EF-mount lens compatibility EOS C300 Mark II. Overview of the C500 Mark II The headline feature of the new Canon C500 II is the camera’s 5.9K full frame sensor, the same sensor found in Canon’s flagship C700 FF released last year. Furthermore, equipped with the newly developed DIGIC DV 7 high-speed image-processing platform, the camera makes possible 5.9K/60p, 4K/60p and 2K/120p recording. Category. Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). Canon has released a new Cinema EOS camera, the C300 Mark III. With the increase of one stop, the luminance range that can be captured during shooting is doubled. For faster workflow without Raw conversion, the camera uses the 4K 4:2:2 10bit XF-AVC recording codec which is … Employing Cinema RAW Light, a video format that allows for reduced file sizes while retaining video information, the EOS C500 Mark II makes possible the internal recording of RAW data without the use of an external recorder. The EOS C500 Mark II will be on sale from January 2020 with pricing set at dealer discretion. Own it with 1.99% PA Interest. Employing a modular design that allows users to freely customise the camera to meet their shooting needs, the … 2  Cinema RAW Light recording only possible with CFexpress Type B cards. Employing Cinema RAW Light, a video format that allows for reduced file sizes while retaining video information, the EOS C500 Mark II makes possible the internal recording of RAW data without the use of an external recorder. The Canon C200 has been my favorite camera since it was released, now that the C500 Mark II is out this is the camera i've always wanted. The DP-V3120 is scheduled to be available in November 2019 for a wallet-busting price of $39,000. commented: Dave is also a C500 Mark II owner so he talks about the differences between the two cameras. Image copyright Ben Fogarty. Immersive Full Frame look with faithful colour reproduction. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Canon Australia announces today the launch of a new addition to the renowned Cinema EOS System of professional digital cinematography products with the introduction of the EOS C500 Mark II, which features a 5.9K full-frame sensor and a newly developed image-processing platform. Top Rated Plus. Above you can see footage from a cooking test shoot using the 120fps 4K and 180fps 2K RAW capabilities of the new Canon C300 Mark III camera. Specifications. 4.3-inch touchscreen LCD monitor included. You can find out more information on both products by visiting Canon's EOS Cinema site. Key features include: 20.8MP, 5.9K, full-frame, CMOS sensor. Pictured here with the optional V-mount back, shoulder mount/baseplate, rods, lens support, handgrip extension. ME200S SH. Cinema RAW Light Recording MyShopping.com.au is Australia's Leading Comparison Shopping Site Users can change the lens mount of the EOS C500 Mark II from an EF mount to an EF Cinema lock mount or PL mount by themselves using a mount kit (sold separately) to match their shooting environment. The Canon EOS C500 Mark II is scheduled to be avaialble in December 2019 for an estimated retail price of $15,999. The newly developed DIGIC DV7 image processor boasts high data processing power while suppressing unwanted noise. Employing the DV7 high-speed image processing platform, the camera enables 5.9K/60p, 4K/60p and 2K/120p recording for the highest resolution. The EOS C500 Mark II boasts ground-breaking AF technology, using a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF. Internal, 12-bit Canon RAW Light to dual CFexpress media slots. In Australia, you can purchase it and it has been shipping since July. This is likely going to be the follow-up to the Canon Cinema EOS C300 Mark II and not the coming 8K Canon Cinema EOS camera, … EOS C700 FF. EF mount / EF Cinema Lock / PL (optional; user interchangeable) /B4 (optional), RAW: 5.9K (FF),4K (Crop) 59.94p/50.00p (internal), 2K (Crop) 59.94p/50.00p (internal) XF-AVC: 4K/4K UHD/2K/FHD 59.94p/50.00p 2K,FHD (Crop) 59.94p/50.00p, LPCM 4ch (16 bit, 24 bit (MXF only)/48KHz), 5.9K, 4K, 4K (Crop), 2K:60 fps 2K (Crop):120 fps, 4.3”, approx 2.76 million dot, touch panel, Dual Pixel CMOS AF, Face-detection AF compatible lens, AF speed/response, AF boost MF, Jaguar F-Pace film shot on EOS C500 Mark II. 1 Dynamic range is measured in units called stops. ME20F SH. $7,504.95. The EOS C500 Mark II has been produced in a revolutionary compact and modular design which allows users to freely customise the camera to meet their shooting needs, including the ability to interchange the camera's mounts and add on a number of optional extension units. Canon EOS C500 Mark II Specifications Page by category. Visit our website for our video cameras. Employing the DV7 high-speed image processing platform, the camera enables 5.9K/60p, 4K/60p and 2K/120p recording for the highest resolution. The camera also supports XF-AVC, a video format that efficiently records compressed video data. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Internal 5.9K Cinema RAW Light recording. 5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes. It’s a similar story with the 70-200, as the 70mm end of the lens feels like 43mm when you’re used to … Additionally, the camera supports the HDR standards HLG (Hybrid Log-Gamma), which is suitable for broadcast and live streaming, and PQ (Perceptual Quantization), which is suitable for movie production and distribution online. What’s more, with the attachment of an extension unit (sold separately), the camera can support a variety of different shooting styles, including shooting with multiple cameras and drone shooting, which requires remote control. Our next-generation Cinema EOS System camera, the C500 Mark II offers cinematographers endless possibilities in visual expression through the use of a full-frame CMOS sensor and a new image processing platform. By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. The maximum number of stops available differs depending on recording mode. Employing a modular design that allows users to freely customise the camera to … At IBC 2019 in Amsterdam today, Canon introduced a new digital cinema camera, the C500 Mark II. Discover Canon EOS C500 Mark II, the new generation cinema EOS system euipped with a 5.9K full frame sensor. Employing a modular design that allows users to freely customise the camera to meet their shooting needs, the camera features exceptional expandability to facilitate a wide range of video content productions, from movies and TV dramas, which demand high-quality video, to news and documentaries, where mobility is particularly important. Back to product overview. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable. Completely Customisable. It supports full frame readout as well as Super 35mm and Super 16mm modes that can be used with conventional Super 35mm lenses and full frame compatible lenses. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. Paul Stewart, Senior Manager – Canon Professional Business, Canon Australia The EOS C500 Mark II supports two types of file formats to enable easier data ingestion for card recording, and makes 4K and HDR recording more accessible to the user. With the full-frame C500 mark II, I can use the 85mm instead of the 50mm that I would use on an S35 sensor camera to achieve the same type or result with the added bonus of IS. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution.